ASSIGNMENT代写

迪肯assignment代写:中世纪的浪漫故事

2017-07-07 15:11

乔叟还讽刺了中世纪的浪漫故事,通过故事,他满足了宫廷的爱情,以及如何被描绘成创造浪漫的理想方式。米勒的故事尤其讽刺这个概念,因为它是一种“模仿的浪漫”(King,2000,p73)。这个中世纪的概念经常被这些故事所嘲笑。在巴斯的妻子她承认“我已经结婚了!”(乔叟,1995年,第44行),如果这是一个宫廷式的爱情,肯定会持续,而巴斯的妻子也不会再结婚了,出于对前夫的爱。在《米勒的故事》中,阿伯龙试图用一个宫廷情人的技巧来吸引艾莉森,但他未能给艾莉森留下深刻印象,他的努力也没有得到认可。乔叟使用《宫廷爱情》的文学传统,来证明宫廷情人的努力是多么荒谬,在文学作品中是多么荒谬。乔叟能够在故事中表达对宗教的一些看法,即使他必须确保这不是故意或明显的攻击教会。在《米勒的故事》中,Absolon被讽刺为“教区职员”(Chaucer,2006,第204行),称其为“没有wyf的人在frynage的中午(Chaucer,2006,第242行)”。乔叟还说,当艾莉森去教堂的时候,它更像是一场社交活动,而不是宗教活动。在《巴斯的妻子》中,讽刺是“针对中世纪基督教的性痴迷和有罪恶感的态度”(Whittock,1968,p121)。
迪肯assignment代写:中世纪的浪漫故事
Chaucer also satirises the medieval idea of romance, through the tales, he satirises courtly love, and how it is portrayed as being the ideal way to create a romance. The Miller's Tale, in particular, satirises this concept as it is a "parody romance" (King, 2000, p73). This medieval concept is often found ridiculed in these tales. In the Wife of Bath she admits "that I have wedded five!" (Chaucer, 1995, line 44), if this had been a courtly love, surely it would have lasted and the Wife of Bath would not have been able to marry again, out of love for her previous husband. Absolon in the Miller's Tale attempts to woo Alison using techniques expected of a courtly lover, however he fails to impress Alison and his efforts go unrecognised. Chaucer uses the literary convention of courtly love with Absolon to demonstrate just how ridiculous the efforts of the courtly lover can be, and how ridiculous it can be presented in literature.Chaucer is able to express some views on religion in the tales, even though he would have had to ensure that this was not a deliberate or obvious attack on the church. In the Miller's Tale Absolon is satirised as the "parish clerk" (Chaucer, 2006, line 204) as "That of no wyf took he noon offrynage" (Chaucer, 2006, line 242). Chaucer also suggests that when Alison goes to church it is much more of a social outing, rather than a religious event. In the Wife of Bath the satire is "directed at the sex obsessed and guilt-ridded attitudes of medieval christianity" (Whittock, 1968, p121).